Concert by Candlelight

Though left unfinished at the time of his death in 1887, Alexander Borodin’s Prince Igor remains one of the great treasures of Russian opera. The overture, completed by Borodin’s friends Rimsky-Korsakov and Glazunov, is a vibrant introduction to the world of the opera—full of sweeping melodies, lively rhythms, and a distinctly Russian colour.

From the noble themes associated with the heroic Prince Igor to the folk-infused dances that capture the spirit of Borodin’s homeland, the overture blends grandeur with lyricism. Its energy, warmth, and brilliance set the stage perfectly for an evening of Romantic masterpieces.

Although published as his first concerto, Beethoven’s C major Concerto was written after the youthful B-flat Concerto (later numbered No. 2) and already shows the composer’s bold individuality. Premiered in Vienna in 1800, it brims with vitality, wit, and a sense of grandeur that reflects Beethoven’s growing reputation as both pianist and composer.

The opening movement sparkles with elegance and drive, giving the soloist ample opportunity for dazzling virtuosity. By contrast, the slow movement offers an intimate, lyrical dialogue between piano and orchestra. The concerto concludes with a playful rondo, full of surprises and rhythmic energy, leaving audiences both exhilarated and charmed.

Composed in 1888, Tchaikovsky’s Symphony No. 5 is one of his most deeply personal and emotionally charged works. Threaded throughout the symphony is a recurring “fate” motif, a sombre theme that appears in various guises—from the dark opening measures to its final, triumphant transformation.

The second movement soars with one of Tchaikovsky’s most beloved melodies, rich with yearning and tenderness. A graceful waltz follows, tinged with elegance and charm. The finale drives forward with passion and intensity, ultimately rising to a resounding victory.

From melancholy to exultation, the Fifth Symphony captures the full sweep of human emotion, and stands as a testament to Tchaikovsky’s genius for melody and drama.

Tudor Juganaru is a gifted classical pianist currently studying at The Purcell School for Young Musicians in Watford, one of the UK’s most prestigious specialist music schools. Recognised for his expressive interpretations, refined technique, and deep musical insight, Tudor is building a reputation as an emerging talent with particular strength in the Classical, Baroque, and early Romantic repertoire.

Tudor began his piano studies at the age of six with Nicolae Mihaila, whose mentorship provided a strong technical and musical foundation. Under Mihaila’s guidance, Tudor developed quickly, gaining entry to The Purcell School in 2020. From 2021 to 2025, he studied under Danielle Salamon, where he deepened his understanding of musical style, interpretation, and performance practice. He now continues his development with internationally acclaimed concert pianist Alexander Ullman, focusing on refining his artistic voice and expanding his interpretive range.

Throughout his time at The Purcell School, Tudor has performed extensively in solo and chamber settings. He has appeared in numerous school concerts and given recital performances across London, including programmes in 2022 and 2023. In November 2025, Tudor will make his concerto debut as soloist in Beethoven’s Piano Concerto No. 1 with the Hounslow Symphony Orchestra — a milestone that reflects both his technical maturity and growing confidence as a performer.